He impressed Quartin, his would-be producer, by playing a waltz he had just composed on guitar after dinner at a mutual friend’s house. Soon after, he was introduced to Bahiana through a friend of hers, and visited his future collaborator at her house in Ipanema. The two started writing hundreds of songs for what would become “Obnoxious” and “A Viagem Das Horas.”
“We clicked right away,” Bahiana said. “I loved his music. It was easy for me to find words to his songs.”
Quartin, a local producer and label head who’d released some 20 albums through his Forma imprint, selected the songs he liked and put Mauro and Bahiana in the studio with Lindolfo Gaya, who worked on song arrangements and conducted the orchestra. “Obnoxious” was released to little fanfare; Quartin lost interest in putting out “A Viagem Das Horas” and sold it off.
“You know the labels that just do ‘Best Songs from the ’40s,’ ‘Your Favorite Jingles,’ that type of thing?” Bahiana said. “He ended up selling the second album to a company like that, who trashed it, basically. And that was the end of the story for us.” Bahiana went back to college and followed her passion for writing. Mauro stayed in Rio, teaching guitar and composing music for theater.
Mauro said that the six-year wait between albums broke his will to compose more songs: “It felt like centuries,” he wrote. He has no doubt that he and Bahiana generated enough music to release another two LPs. Dismayed with the industry, he eventually opted for a quiet existence. As he got older, he had to stop playing the guitar altogether: Mauro was diagnosed with early-stage Parkinson’s disease. Now his trembling hands won’t allow him to strum the instrument at all. (“And to complicate things further, people took me for dead,” he wrote.)
Despite losing his creative spark, Mauro isn’t focused on regret. That the music still sounds just as vibrant today as it did four decades ago is good enough for him.
The same goes for Bahiana, who relishes the purity of the music. “It is his soul talking,” she said. “There’s no gimmicks there, no ‘I’m going to write this because it’s a trend.’ It’s exactly the way we composed, the way we showed his spirit. His heart is there.”
May 27, 2021 at 12:04AM
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A Label Reissued a Dead Brazilian Artist’s Album. He Was Still Alive. - The New York Times
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